Three Poems

by Damon Hubbs

Candy with minature figurines (Photo by Mathieu Stern on Unsplash)

A Wall of Noise at Vassar, ’89

 

We eat psychocandy and gaze at our shoes

long before you disappear to study British Romanticism

everyone incendiary with Frank O’Hara, us too

like a snake wrapped around an axe in Côte Basque

 

we put arms beyond use, fuse damage and joy

a wall of noise at Vassar in ’89 makes our teardrops explode

we’re lost children on the move

we’re lost children head-on in love.

 

They bring soft axes to a summer picnic

dream of unpicking stitches of the galactic curtain.

Break it and take it until the goulash goes cold

like pigeons tearing a hole for the first crack of light

 

they have orange shirts with old-fashioned borders

but the sentry doesn’t shoot.

Lorca plays guitar and the sentry doesn’t shoot. 

Everyone is on the move, head-on in love.






Fantastic Garlands —Provincetown, MA

 

A few days in the Province Lands & I am only one

only one girl crowned

& anchored for her heart’s desire.

The wet heat of Commercial St. tickles me like fantastic garlands

& the lobster dumplings at Mews, forward

not lasting  

 

but still I can’t loosen your claw

& the bog song of Bearberry Hill says come along

& the wet heat of Commercial St. tickles me like fantastic garlands

blending events feared & desired, actual &

imagined. Now we are the party & the guests

 

a modern girl larded with multitudes

perfect teeth, screamy dreamy

a magical vampishness to tumble you in the sun.

All day I speak in tongues

 

like a mermaid, or a spirit—

the Ariels at Long Point Beach know me well,

Molly Bish & Margaret Cavendish know me well

 

they know my useless dress and cursive singing,

they know cocktails at the Post Office Cafe & Cabaret impress 

 

it’s the breakwater, Ophelia, that divides me.

Chasing Daphne

 

of European fountains you were dotingly enamored,

the baroness who collected pipes and drains

the boom and bust of baroque drapery, bodily machines

Daphne youthed in Travertine

 

I embrace every tree in the West.

Grow my hair,

wear women’s clothes

to get an inch closer to you

 

my sweetly slutty princess days.

I’m out of breath from Paris to Marseilles

il fonce to rakish Rome,

what would maman say.

 

O Triumph spitfired with leaden arrows.

I am crowded and leaking strange relics.

Like a guerrilla war in high heels.

Isn’t the moss wonderful, darling.





Color photo of Damon Hubbs

BIO: Damon Hubbs writes poems about Thulsa Doom, Italo disco & girls who cry at airports. He's the author of three chapbooks (most recently Charm of Difference, from Back Room Poetry). His latest work appears/is forthcoming in BRUISER, Don't Submit!, Riggwelter Press, Misery Tourism, Bullshit Lit, & elsewhere. twitter @damon_hubbs

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